“The Bourne Ultimatum” is a perfect film for analyzing and applying to writing, because it has many traits that are unique to this film series, one of the reasons it is widely known and well regarded as an action film. The director, Paul Greengrass, skillfully uses camera cuts and omniscient narrator voice to build tension throughout the movie. We will be primarily exploring the opening sequence to show just how these cinematic tools are used. I will also be applying this to writing as well, suggesting how writers can use these techniques in their writing to build tension.
Did you know that, in many ways, the art of making movies (visual storytelling) is often similar to the art of writing? How the director and director of photography choose to portray a story by way of camera is, believe it or not, comparable to some extent with writing books. And that is what I will be doing in this post: showing the similarities in the psychology of camera storytelling (movies) and storytelling by way of written word (your favorite book, for example). This similarity may stem from the fact that Storytelling is a universal art, developed over the millennia of mankind. Movies and the written word are merely different categories of storytelling, so it makes sense that there would be many similarities between the two. I will show you just a few of them in this post.
If you’ve heard about the 1968 movie 2001: A Space Odyssey, you may have wondered: “What is 2001 about?” Perhaps, even if you have seen the movie, you may (as did I) still wonder: “What is it all about?” There are many interpretations on specifics to the question. But in general, I will try to lay out to you information on this movie as such:
What is 2001: A Space Odyssey?
The Reviews on 2001
A Look at 2001
First, what is 2001, and what’s so great about it? 2001: A Space Odyssey is a 1968 film, produced and directed by Stanley Kubrick, who wanted to make a film on ‘man’s relationship to the universe’; which is what it is. It is a film about the ‘evolution’ of man, going from ape to modern man, to ‘alien’. In all, it is about mankind’s process of evolving, in each stage, into a slightly more intelligent and sophisticated being, shown by their development of new technologies and capabilities. It is a look into the future, which doesn’t just end at 2001, but goes far beyond our time.Read More »
Have you ever wondered what it takes to make a movie? Whenever we watch movies, we usually don’t think of what goes into the making of it. We enjoy talking about and watching the actors, alot of the time, of course, as they are in the spotlight. But what about the camera man, the guy who does the music, the stunts, who made the set, the props? Who, especially, is the ‘man upstairs’–the guy who planned everything?
Quick, try to think, out of all the film composers who exist in the whole world today, which one is the ‘best’, and most well-known. Probably eight out of ten of most people would think: Hans Zimmer. If you did, it was a good guess. If the names of all the film composers who still compose today were to be assembled, two impressive figures would stand out as most prominent: John Williams and Hans Zimmer. Really, it is hard to select only one of the two when it comes to the matter of who is the ‘best’ or ‘most well-known’. John Williams and Hans Zimmer are very different; they are famous for different reasons, and also prominent for different reasons. A comparison is certainly needed here…and though an argument could be made for ‘John Williams over Hans Zimmer’ on a list from greatest to least, all I will do here is compare the two:
On June 22, 2015, renowned film composer James Horner died from a plane crash at age 61. James Horner was one of the most prolific film composers of the modern era, regarded by The Guardian as “one of the most successful and admired composers of film soundtracks in Hollywood.” Among his many scores are those of Avatar, Braveheart, Apollo 13, and Titanic. He was known for combinations of choral and electronic components, and his dramatic, sweeping orchestral compositions; particularly, those of Braveheart, Titanic, and Avatar.
He collaborated with director James Cameron for the films Titanic and Avatar, both of which are currently the two top highest-grossing movies of all time, while his music album for Titanic is one of the best selling albums of all time.Read More »